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Thomasin Dewhurst

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August 01, 2016

Drawing a realistic nose in pencil - youtube video

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How to draw a realistic eye in pencil - youtube video (click on the image to go to the video)

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Fruit, Rose and blue & white Plate - Oil painting on wood

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Apple on plate with purple flowers

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Tulip

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Daffodil in Bowl with Water

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September 28, 2015

Still-life with Pear, Daffodil, and two Tangerines on Blue and White Saucer

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September 22, 2015

My student Robby Houghton, a young man with Autism / special needs, began work on his Civic Arts mural commission ...

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September 08, 2015

Oranges on Blue and White Saucer - Oil Painting on Wood

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September 02, 2015

Art and Inquiry: Museum Teaching Strategies For Your Classroom, MoMA, New York

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August 20, 2015

Tangerines on Blue and White Saucer - Oil Painting on Wood

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Thomasin Dewhurst: Drawing and painting is for me is a means of realizing emotional and philosophical ideas that are conveyed through human form and flesh. This aesthetic that emerges through the working and reworking of the figure or figures and the composition. The drawing or painting acquires a layering of images which remain beneath the final image. These subtle leftovers are like memories and create an emotional depth to a work. The drawn or painted body emerges from its aesthetic environment, anchored both in reality (the form observed from life) and imagination (its existence and meaning bound to the paper or canvas and painted or drawn marks out of which it appears). In this way too, the body becomes emotive. At this point in the development of a work there is a feeling, on my part, of commitment to the work and a fidelity to the story that is presenting itself. The focus becomes fine-tuned and the extraneous elements in a work are stripped away. The figure is the central means of realizing the narrative, working essentially with form as a means of communication.

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